Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

On the Spotlight: 'Honolulu Heat' by Rosemary and Larry Mild



Honolulu Heat, Between the Mountains and the Great Sea
By Rosemary and Larry Mild
(ISBN 978-0-9905472-3-5, Trade Paper and e-Book, 298 pages, $14.95)
Find out more on Amazon 

Honolulu Heat, the latest mystery by Rosemary and Larry Mild, is a tantalizing tale brimming with action, suspense, and intrigue.

About Honolulu Heat:  After surviving Hurricane Iniki on the island of Kauai, Alex and Leilani Wong move to Oahu for safety and peace of mind. Fate, however, is unkind. Alex and Leilani anguish over their son, Noah, an idealistic teenager who teeters on both sides of the law. Noah’s life takes an unexpected turn when he meets his dream girl, Nina Portfia. But Nina has dangerous family ties—and the romance turns ugly when she and Noah unwittingly share horrific secrets.

Facing a murder charge, Noah flees and finds himself swept up in a bloody feud between a Chinatown protection racketeer and a crimeland don who, ironically, is Nina’s father.

Violence cuts a wide swath in the Island paradise, leaving in its wake innocent real estate agents, a Porsche Boxster Spyder, a stolen locket, and an odd pair on a freighter to Southeast Asia. Noah, now relentlessly pursued by two mob leaders and the police, is in grave danger. Torn between loyalty and betrayal, only he can unlock his own freedom and bring peace to his family—and Honolulu’s Chinatown.

With its compelling cast of characters, pulse-quickening plot, and to-die-for setting, Honolulu Heat sizzles.

About the authors:



Rosemary and Larry coauthor the popular Paco & Molly Mysteries and the Dan & Rivka Sherman Mysteries—and most recently, Unto the Third Generation, A Novella of the Future. They call Honolulu home, where they cherish time with their children and grandchildren. The Milds are members of Mystery Writers of America, Sisters in Crime, and Hawaii Fiction Writers. Find out more about their books on their website.

Chapter reveal: TRISOMY XXI, by G.A. Minton

Title: TRISOMY XXI  
Genre: Horror
Author: G.A. Minton
Publisher: World Castle Publishing

Purchase on Amazon

Sixteen-year-old Joshua Allen was born with an extra chromosome—a genetic aberration known as Trisomy XXI, or Down Syndrome.  When a serious accident leaves him in a coma at the hospital, Joshua receives a mysterious injection that endows him with supernatural powers.  The transformed teen is linked to a string of bizarre, unexplained deaths that have both the town’s sheriff and the coroner baffled. But when a ghastly creature from another planet lands on Earth and begins its hunt for Joshua—viciously slaughtering anyone in its path in order to complete its deadly mission—Joshua and his friends are thrust into terrifying circumstances.  What follows is a horrific life-and-death struggle with this seemingly-indestructible extraterrestrial being. The salvation of an entire race of aliens hangs in the balance…  



TRISOMY XXI

by GA Minton

Chapter I

HENRY
Spring had finally arrived in the small town of Tranquil.  The winter snow had melted, and all that remained were a few patches of frosty white ice nestled under the shadows cast by some of the loftier pinion pines and alligator junipers.  Like clockwork, Mother Nature had once again displayed her magnificence.  The newly transformed landscape was now alive with a panorama of plant and animal life, recently awakened from a forced slumber under a blanket of wintry snow. 
Drawn by nature’s fragrant bouquet, ruby-throated hummingbirds and bumblebees could be seen hovering over colorful spring blossoms, sipping nectar, only to be exploited as naive vectors of pollination.  As a white-tailed deer lapped up freshly melted snow from a babbling brook, two rock squirrels emerged from their seasonal nap, giving noisy chase to each other across a sun-soaked, high-desert terrain.  Off in the distance, the muffled bugle of a big bull elk was faintly audible.
Tranquil, a rural Arizona town with a yearly population of almost three thousand, was located in the picturesque White Mountains, which boasted an elevation of seven thousand feet above sea level. 
Most of the people living in this close-knit community were honest, law-abiding citizens who worked in the large copper, silver, and molybdenum mines dotting the area.  The rest of the townspeople were either retired, or small business owners who catered to the assortment of tourists that visited the region each summer. 
Tranquil was just like its name, a sleepy mountain community where nothing much ever happened.  Yes, there was that incident that had occurred around six months ago, when Henry Pickridge, a local resident and retired miner with a fondness for straight bourbon whiskey—or  for that matter, any other spirits he could get his hands on—claimed he had been abducted by a space alien. 
According to Henry, the extraterrestrial being he encountered that day wasn’t your average run-of-the-mill visitor from another planet.  It wasn’t a little green man or a Grey.  Nor was it cute, furry, or friendly.  The otherworldly thing that attacked Henry was a nightmare—a monstrosity that he’d never seen the likes of before, or ever wanted to see again.  Unfortunately for Henry, the horrific image of that alien creature was permanently etched into his brain.  
Henry Pickridge was Tranquil’s proverbial town drunk, a crusty old-timer who lived by himself in a little wooden cabin located on the outskirts of town.  He grew up there, back when it was just a widened area in the road, missed by most passing motorists if they had blinked their eyes.  His father, Foy, was employed by the Midas Mining Company as a miner who worked hard in, at that time, the only molybdenum mine in the area.  Foy worked the lode for over twenty years until he died of lung cancer, when Henry was only fifteen. 
In order to help his mother out with the bills, Henry was forced to drop out of school in the eighth grade.  The boy worked in the mines off-and-on for longer than he could remember, until finally retiring a couple of years ago at the age of sixty-eight.  On two separate occasions, Henry ventured out to find work in Texas and New Mexico, but within a few short months found himself back in his beloved Tranquil, homesick and broke. 
A rough-and-tough abrasive man, Henry possessed a mouth so foul that it would have knocked the socks off of anyone’s Aunt Mildred.  The old duffer had about as much appeal as a turd in a punch bowl.  He was the king of cuss; the prince of profanity; the sovereign of swear; the viceroy of vulgarity.  Over the years, Henry amassed a huge repertoire of curse words and expletives—an obscene vocabulary that would have elicited the envy of any seasoned sailor or traveled truck driver.  And he didn’t limit himself to the use of the same profane phrases over-and-over again, ad nauseum; nope, the wily senior was too sophisticated for that.  The patron saint of smut had the unique ability to combine certain words together—creating a descriptive expression that would be offensive to anyone around him—one of Henry’s favorites was “pig fornicator.”
Taking immense pride in his unsavory slang, Henry became a connoisseur of the cuss-word, mixing and matching obscenities that would best accommodate his particular conversation or situation—even to the point of applying the art of alliteration in the deliverance of a choice selection of his vulgar verbalizations.  Even though he had barely attained an eighth grade education, Henry must have paid special attention in English class that day when the teacher was discussing the merits of alliteration in sentence construction.  To question if old man Pickridge had a foul mouth would be as ridiculous as asking if the Pope were Catholic—or, in Henry’s language—if the Trojan Horse had a wooden dick, or if a bear craps in the woods. 
The silver-haired speaker of smut did his research.  Curious about the origin of cusswords, he visited the town library and learned about some interesting historic accounts pertaining to the derivation of certain obscenities.  Take the word crap, for example.  Henry read in The History Book of Slang, that this word is merely a shortened version of the name Crapper, taken from the English plumber and royal sanitary engineer, Thomas Crapper, the inventor of the modern toilet. 
Henry’s verbal antics were even too much for his wife, Mabel, to handle.  She divorced the foul-mouthed fogy many years ago for what her lawyer called irreconcilable differences.  Differences. . .yes; irreconcilable. . .definitely.  “Fix me my damn dinner, you bony bitch!” wasn’t exactly the most romantic of phrases one could use to greet a wife when arriving home after a hard day’s work.  And Mabel didn’t appreciate Henry’s gift of alliteration either, especially when it was used that way—no woman appreciates being called the “b” word.  The old geezer’s lewd language had kept him a bachelor ever since—no self-respecting female would even think about tolerating his vocally offensive shenanigans.
Henry was truly the father of filthy four-letter-words.  If the citizens of Tranquil ever decided to hand out an award for “The Most Potty-mouthed Citizen,” he would be its proud recipient, winning hands down.  It would be a dream come true for Henry—one that he pictured often.  The master of ceremony would heartily announce to a hushed audience, “This year, the recipient of ‘The Most Potty-mouthed Citizen of Tranquil’ award goes to. . .Henry Pickridge!”  The crowd would erupt into loud clapping, cheers, and cat whistles. 
Old Henry, dressed in his best fishing outfit, would graciously walk across the stage to receive the prestigious honor.  The boozer would step up to the microphone and read from a wrinkled napkin that he had scribbled his acceptance speech on earlier.  “I humbly accept this bitchin award and I want to thank all you a-holes out there who voted for me!” 
The unruly members of the cheering audience would go crazy—hooting and hollering, screaming and yelling—some chanting “Hen—ry. . .Hen—ry. . .Hen—ry,” while others would cry out, “You da man, Henry. . .you da man!”  Amiably waving and throwing kisses to his rowdy admirers, Henry would proudly exit the stage, shining trophy in hand.  Like perpetual constants of the universe; the earth revolves on its axis every day and Henry Pickridge cusses—that was the name of that tune.  
Around six months ago, Henry camped out one night next to Fletcher’s Pool, a small pond that was located about five miles north of Tranquil.  There were some nice trout that resided in the deep fishing hole, and he was going to try to catch a stringer-full.  The only way to get there was to travel on Route 44—a poorly maintained, winding mountain road that everyone used before they built the new highway to Tranquil six years ago.  Now, the pothole-ridden artery was only utilized by those wishing to fish, swim, or picnic at Fletcher’s Pool, although occasionally, a group of backpackers would also take the scenic journey to explore the wooded hills and grassy valleys enveloping the area.  Henry fished there many times before, so he was familiar with the surrounding countryside.  He parked his old blue pickup truck, and set up camp about fifty feet away from the dirt road that was adjacent to the small body of turquoise water. 
Henry was the proud owner of a 1965 Chevrolet pickup truck that still sported its original factory paint job, except that now, as a result of weather and time, the “blue” had degenerated into at least five distinct shades of color—ranging from light gray to dark purple.  He would affectionately refer to his well-traveled vehicle as Betsy—Ole’ Betsy if she wouldn’t start.  All of the townsfolk in Tranquil were familiar with Henry Pickridge’s mode of transportation—it was the ancient, broken-down, bluish pickup truck sporting the white sticker with red printing on the back bumper that read, If you can read this, then you are driving too close to me—So back off, jackass!  And Scotch-taped to the truck’s rear window was a sign saying, When Guns Are Outlawed, Only Outlaws Will Have Guns!  Henry was just that kind of a guy—a free spirit who didn’t give a rat’s butt about what others thought of him.
After starting a small fire from the kindling he had gathered from a nearby wooded area, Henry sat down next to the warmth in his worn-out folding sports chair—one that he purchased many years ago when living in Irving, Texas.  The seat and back supports of his wooden throne were constructed from some type of cloth fabric, now noticeably discolored and tattered from weather and wear.  Imprinted on the frayed seat was a faded image of a blue-and-white football helmet, and stenciled on the back of the armchair were the washed-out and barely legible words, Dallas Cowboys.  For all the years that Henry lived in Irving, he had never attended a Dallas Cowboy’s football game, but he did use that chair religiously—for all other outdoor events. 
Gazing upward, Henry took off his raggedy New York Yankees baseball cap and repeatedly repositioned it on his head until it felt just right.  The full moon was out that night, shining brightly in all its splendor, and there wasn’t a single, solitary cloud in sight.  His eyes followed the somber stretch of dusky sky, dotted with twinkling luminaries that radiated their brilliance in a way that reminded him of countless white sequins reflecting off of a solid black evening dress.  As Henry meditated the vastness of the firmament above, an occasional streaming white trail of a distant shooting star would entice his peripheral vision, only to disappear from sight as he turned to observe its celestial journey.
While downing several shots of his favorite brew, Henry noticed some strange blinking lights—darting in a zigzag pattern, much like a misguided bottle rocket—moving across the clear, nocturnal sky.
“Well, crap fire and save your matches,” Henry spouted.  “What, in the name of fornication, is that?”
As the mysterious flashing beams approached his campsite, he could visually make out the outline of a cigar-shaped metallic object, dark gray in color.  A dome-like structure extended upward from the middle third of the craft, and Henry estimated the soaring thing’s length to be about fifty feet.  There was absolutely no sound emanating from the unidentified flying object, which hovered effortlessly in a fixed position over the gently swaying, neighboring treetops. 
In a state of awe, Henry vigilantly rose from his chair—eyes bugged out and mouth gaped open—astounded by the surreal presence and sheer magnificence of this alien mechanical masterpiece.  He watched intently as the Mack Truck-sized, sheeny Cuban cigar peacefully glided over the nearby assemblage of towering evergreens.  Then in one smooth fluid motion, like a raindrop falling from a leaf, it vertically descended out of sight—into an open meadow located about a hundred yards away from his camp.
“Mamma mia. . .if that’s what I think it is, I’ll kiss a rang-o-tang’s butt,” quipped the old-timer, as he followed the flying saucer’s flight through inebriated eyes. 
Outwardly, Henry tried to remain calm, but inside the retired miner’s chest sat an adrenaline-driven heart that was fluttering faster than a thumping pair of hummingbird wings.  His wrinkled flesh crawled with goose bumps, sending a huge wave of chills streaming down the entire length of the weathered fisherman’s scrawny back.  Momentarily spellbound by this strange and unusual event, Henry slowly took off the scruffy baseball cap and scratched his grizzled head, pondering about what his next move should be.   
Sitting down next to the fire, he took a big swig out of the whisky bottle, swallowed hard, and then wiped his alcohol-soaked lips on his dirty shirtsleeve.  As he stared across at the crackling flames, a wisp of crisp mountain air coolly caressed his pensive face.  Heaving a deep sigh of deliberation, Henry screwed the cap back on his glass container of booze and defiantly stood up. 
“A man’s gotta do what a man’s gotta do!” he crowed.
The effects of the alcohol may have helped, but the determined old imbiber had made up his mind.  He walked over to his truck, opened the door, and grabbed the ivory handled Smith & Wesson, three-fifty-seven magnum, snub-nosed revolver lying on the seat, tucking it under his belt, behind his back.  There was a history behind this hand-held cannon that fired .357 magnum bullets—hollow-point projectiles with enough power to knock down a Clydesdale horse.  It had belonged to his big brother, Fred, who was a member of the Phoenix Police Department—a senior detective with only three months of duty left until his retirement—when he was killed in the line of duty.  Needlessly murdered by two new members of a street gang robbing a 7-Eleven convenience store as a part of their initiation.  It was around four in the morning, and Fred had walked through the front door to buy a pack of cigarettes, catching the robbers totally by surprise.  They had already killed the store clerk, so the pair of punks emptied five caps into the unsuspecting detective—Fred was dead before he hit the ground.  Never even had a chance to un-holster his gun.  The thieves got away with less than a hundred dollars.  This was just one of the thousands of countless, senseless murders that occurs every day when someone is in the wrong place at the wrong time.  Henry used to jokingly caution his brother, “Fred, those damn cigarettes are going to kill you someday,” and he was right—in a bizarre, Twilight Zone sort of way, it was the addiction to the neatly papered cylinders of tobacco that were responsible for the police detective’s untimely death—Rod Serling himself could have authored the script, with its unforeseen O’Henry ending.  Never in his wildest dreams would Henry have thought that something like this could have ever happened to his only brother.  The sterling Smith & Wesson was happily gifted to him by Fred’s wife, who never, ever wanted to see a gun again in her life.  Henry always kept the firearm close by, treasuring it as a memento, in commemoration of his brave older brother. 
Hellbent on finding out what the metal thing with the aerial acrobatic maneuvers was, Henry slammed the truck door closed, walked back to the fire, and downed another big gulp of liquor.  Then he set out toward the UFO’s landing site—located due west of his campsite, just beyond the haughty rows of pine, juniper, and fir trees that majestically bordered Fletcher’s Pool.
Slowly making his way through the arbor of wooded columns, Henry’s eyes caught a glimpse of fluorescent light, shimmering brightly from the settled saucer ahead.  As the surplus of coniferous branches gestured in the wind, the rays of illumination radiating from the alien ship twinkled and flickered, like shiny strands of colored tinsel draped loosely over the boughs of a freshly cut Christmas tree. 
Exiting a thick grove of ponderosa pines, Henry observed the gargantuan metallic beast with its collection of blinking lights, obscurely nestled in the open grassy field ahead.  As he approached the docked spacecraft, the only sounds audible were the high-pitched chirpings of the crickets around him.  The jittery old coot slowly and silently walked through the thick grass, cautiously stopping about ten feet away from the mystical flying machine.  A sudden gust of howling wind swept across the open meadow, upsetting the rabble of wild flowers clustered around Henry’s feet.  The perennials thrashed about angrily, making thumping sounds as they unmercifully whipped against the pant legs of his trousers.
Standing motionless and taking in a slow deep breath, the amazed septuagenarian marveled at the exquisiteness of the interplanetary phenomenon from another universe.  The smooth outer surface of the saucer was fabricated from a dark gray metallic substance, an alloy that Henry had never seen before.  Flashing luminescent lights, which reflected a kaleidoscope of brilliant colors, extended in a horizontal fashion around the centrally placed dome.  Five symmetrically placed, teardrop-shaped landing extensions projected from the belly of the craft to the ground below.
Henry had watched enough documentaries about military aircraft on television to know that the complex design of this mechanical creation was far too sophisticated to have come from this Earth.  Besides, there were no jets that he knew of that could instantly reverse their direction of flight while traveling at such fantastic speeds—physically defying the laws of gravity.
This thing was definitely extraterrestrial.
Henry happened to look down at the gold plated watch strapped to his left wrist—an inexpensive timepiece he had received as a retirement gift from the Midas Mining Company.  Its luminous white hands were spinning like an airplane propeller, stopping at the high noon mark that was pointed directly at the spacecraft in front of him.  He frowned and grunted, “Suck my sausage. . .this goddam watch had better not be broken—it’s almost brand-spanking new!”  The perturbed souse moved his arm at a forty-five degree angle, extending it away from his body, and like clockwork, the hands again spun furiously, this time ending up praying to the three on the dial.  Henry shook his wrist and said, “Must be some son-of-a-bitchin magnetic thing. . .from that freakin flyin contraption over there.”  In reality, the retired miner was clueless when it came to knowing anything about wristwatches, magnetic forces, or for that matter, alien saucers from outer space. 
From a distance, the curious elder examined the UFO’s outer structure, but could see no seams, rivets, joints, or openings on the exterior of the ship, so he carefully moved in closer to get a better look. 
Then something suddenly dawned on Henry.  There was no sound coming from the landed spacecraft. 
Not a peep. 
He cocked his head and listened. 
Nothing. 
It was disturbingly quiet—too quiet to suit Henry.  A particular reminiscent thought flashed through the old codger’s boggled mind.  He recalled the 1951 science fiction epoch, The Day The Earth Stood Still, a movie that he had seen countless times before.  Would an invisible door suddenly slide open, exposing Gort, the giant frickin alien metal robot that could beam out disintegration rays from where its eyes should be? 
Unsure if he would be facing friend or foe, Henry slowly and carefully reached behind his back, pulled the snub-nosed firearm from his belt, and held it nervously at his side.
Not knowing what to do next, Henry took a deep breath in and anxiously cleared his throat.  His voice quivered as he called out, “Hel. . .hello, is any. . .anyone there?  Any. . .body    . . .home?. . .I ca. . .come in peace!”
Silence.
There was no response from inside the metal aircraft that had arrived from another planet.
Attempting to pacify his building anxiety, Henry jokingly recited the outer space vocabulary he had memorized from his favorite old sci-fi movie—the utterances used to keep the giant robot from harming any Earthlings—“Gort. . .Klaatu. . . Barada. . .Nicto!”  The old drunk felt really stupid saying that, but those were the only alien words that he knew of, and besides, it couldn’t hurt.
Again, no reply was given to the trembling alcoholic.
Henry swallowed hard, gripped the pearl handle of his magnum tightly, and began to slowly raise the barrel. 
Without warning, a condensed beam of rainbow-colored light discharged from the undersurface of the craft, seizing the surprised senior citizen in its paralyzing grip.  Henry struggled to get away, but was unable to move a muscle or scream for help.  The gray hair on the back of his neck stood on end, sending a cold shiver down his bony spine.  Henry was so horrified that he thought he was going to lose control of his bowels—take a crap, pinch a loaf, or dump a deuce in his pants, as he would fondly say.  He was petrified. . .too petrified to do anything!  The terrified tippler wouldn’t have been able to drop a load even if he had wanted to.
Son-of-a-bitch!  I’m screwed. . .what am I gonna do now?
Henry was trapped.  He was helpless. 
The engrossing iridescent shaft of luminosity lifted the senior citizen slowly and methodically toward the ship.  Floating ever closer to the mammoth spacecraft, the frightened old-timer sensed that someone or something inside was watching him. 
From nowhere, and without making a sound, a small oval-shaped panel slid open on the hard metallic covering of the UFO, discharging a yellow cloud of foul-smelling gaseous material into the air.  Henry caught a whiff of the vapory miasma, which reminded him of the sour acid reek that he had occasionally inhaled when he was a miner, working in the deep shafts of the molybdenum mines.  It was a fetid smell that he would never forget.  The stench was overwhelming, so Henry held his breath to avoid inhaling any of the noxious fumes. 
As the gas slowly dissipated, he caught a shadowed glimpse of something moving from inside the ship.  Rapidly blinking his irritated eyes in order to help clear up the blurry vision, the drunkard could barely make out the gangly figure of an alien being—human-like in appearance—lumbering directly towards him from within the portal opening.
Henry wasn’t one to believe in creatures from outer space—the only aliens he knew of were the illegal ones from south of the border—those with black hair and brown skin that spoke no English and worked for below minimum wage.  Old man Pickridge was in for one helluva surprise!   
Holy Jesus!  What the hell’s that thing?    
As the dark anthropomorphic being approached, Henry squinted to try to see its face, but was unable to discern any features—only that it possessed a large, oblong-shaped head.
Don’t come any closer, you overgrown alien piss-ant!
A monstrous reptilian-like extremity reached out for him, grabbing at his frayed shirt collar.  The limb was bulky and muscular, covered with coarse green scales.  Four long flexible fingers with two opposable thumbs, joined together by bands of thick fleshy webbing, extended from the animal’s grotesque hand.  Projecting out from the end of each lime-colored digit was a thick, black fingernail—a horny claw that was long and curved, with serrations—ending in a razor-sharp point.  Henry’s heart was pounding like a rock band’s drummer, and he could feel the surge of adrenaline racing throughout his quivering body.
Do I still have my. . .where’s my damn gun?  Even though he couldn’t move his arms, Henry sensed that the revolver still remained at his side, its pearl handle tightly gripped in the sweaty palm of his trembling right hand. 
Closing both eyes and using every ounce of strength that he could muster, he moved his right wrist just enough to elevate the snub-nosed barrel of the Smith & Wesson.  Unable to accurately aim his gun, he would have to shoot from the hip, just like a quick-draw artist—only minus the quick-draw part.
The saurian hand latched onto Henry’s left shoulder, and the frail old man could feel the vise-like grip of the beast’s claws painfully tighten down on his bony flesh.
Then a terrifying thought raced through his head.
This motherthumpin thing is gonna kill me. . .I don’t wanna die. . .not like this!  Henry didn’t want to end up like his brother, the haphazard recipient of a senseless murder.  You weren’t given no chance to do anything, Fred, but I will. . .I will, dammit!
Panicked but determined, the leather-skinned whiskey guzzler concentrated all of his will on his right index finger, which was firmly curled around the contoured trigger of the .357.  Even if he could only fire off one round, his hollow pointed slug was bound to inflict some serious damage to whomever or whatever it hit.
Come on, you pussy. . .squeeze your finger. . .pull the trigger. . .move the hammer. . . shoot the freakin gun!
Forcefully flexing his forefinger, he felt the metal trigger slowly begin to budge, then depress. 
Screw you and the horse you rode in on, you alien bastard!
The trigger finally yielded to his finger pressure, firing the weapon once—discharging its deadly hollow-nosed projectile in the direction of the alien aggressor.  
“Boooom!”
The report echoed through his ears—a deafening sound, as if two symbols had been clashed together next to Henry’s head.  The recoil of the magnum’s barrel was so intense that the gun flew out of the old man’s hand and landed on the grassy ground below his levitated feet.  A cloud of blue-gray smoke fumed before the alcoholic’s terror-filled eyes, and the strong distinctive odor of gunpowder permeated throughout his flared nostrils.  Those were the last things that Henry remembered before he passed out.
#
When Henry awoke, it was daylight, and the sodden old-timer found himself at the campsite, lying on his sleeping bag, fully clothed, with his baseball cap and shoes still on.  The elder’s revolver, along with his half-full bottle of liquid spirits, lay innocently on the grass next to him.
“What. . .what in the name of Jesus H. Christ is going on?”
Groggy and disoriented, the rousing rummy slowly lifted himself from the sleeping bag and sat up.  His head throbbed, and he felt woozy and weak—like he had been drugged with a Mickey Finn.  Henry instinctively reached over for his nearby bottle of hooch, uncapped it, and tossed down a few nips of intoxicant. 
“Oh, man. . .I feel like hammered dog crap.”
Wait a minute. . .how the hell did I get here?  Was that all a dream. . .a damn hallucinatory?  I didn’t drink enough to pass out. . .did I?
 Henry popped his baseball cap off and swept back his scraggly locks of silver hair with both hands.  The old alcoholic had suffered through enough hangovers to know that the sensations in his head were very different from those symptoms that he usually experienced after a night of heavy boozing. 
“This is just too friggin freaky!” 
The befuddled inebriate felt mighty weird, and knew that something creepy had befallen him the night before—something he was presently unable to explain.  Determined to find out what happened, Henry picked up his gun and walked back to the area where the UFO had landed.  He meticulously explored every inch of the grassy field and found nothing—the saucer was gone, leaving no trace that it had ever been there before.  No footprints, no blood, no wounded monster from outer space.
Jumping in his pickup, the dazed dipsomaniac raced back to town and reported his fantastic story to Buck Evans, the sheriff of Tranquil.  Buck was very familiar with the alcoholic antics of Henry Pickridge—he had arrested the old coot several times before for drunk and disorderly conduct.  The experienced lawman was extremely skeptical, but still drove out with the protesting boozer to search the area.  When they arrived at Fletcher’s Pool, Henry led Sheriff Evans to the grassy site where the alleged alien landing had occurred.  They hunted for any signs of an extraterrestrial visit, but found nothing—there was no evidence to indicate that anything had landed there, much less a flying craft from outer space. 
Most of the townsfolk never believed Henry’s bizarre account, attributing it either to hallucinations conjured up by his alcohol-demented mind, or to the dream illusions associated with an affliction of sleep paralysis.  Besides, no one else saw the flying saucer or any aliens, and the retired miner had no tangible proof to back up his startling story—except for the oddly shaped bruises on his left shoulder, and the fact that one of the bullets in his three-fifty-seven magnum had been fired.
Henry Pickridge was the talk of Tranquil for the past several months—and because nothing that exciting had ever occurred in the town before, the local gossips milked the scary story for everything it was worth.  Frequenting the local bars in town, the liquor-loving lush would gladly spin his tale over a wet whiskey for anyone who would listen—especially if they paid for the drinks.  Henry really didn’t care whether they believed his grisly encounter with the alien or not—in his mind, he knew that it had happened.
#
After enduring months of a snowy, harsh winter, the community of Tranquil approvingly welcomed the onset of beautiful spring weather.  In preparation for the upcoming tourist season, the residents hung up a “Welcome to Tranquil - The Quietest Town in Arizona” sign over the street entrance to its business district—a city block of about twenty stores, shops, and eating establishments located on both sides of Main Street.
As an orange-red sunset slipped into the western sky, the townspeople prepared for the approaching darkness of night.  Scattered puffs of grayish-white smoke could be seen arising from a handful of chimney tops, as the evening chill still had enough bite in it to warrant the welcome of a warming blaze in the household fireplace.
Most of the residents and newcomers had already departed the downtown area and were heading for home, but a few window shoppers could still be seen milling around the outside of some of the quaint gift shops that were interspersed along the row of small business establishments.  Even though a spattering of rental cars belonging to a handful of visiting tourists remained parallel parked along the curb located on the north side of Main Street, virtually all of the shops and stores in town had pulled the shades, hung up their CLOSED signs, and locked their doors for the night.  For now, everything was peaceful and quiet in the charming little mountain village of Tranquil. . .but that would all change drastically in the days to come.


Guest post: "Why I Love Research," by Vasudev Murthy, author of 'SHERLOCK HOLMES, The Missing Years: Timbuktu'

The one good thing about growing older is that you discover how phenomenally ignorant you’ve been all the preceding  years.

I no longer care for degrees and formal education. Now, it’s the process of learning for its own sake.  Tastes and interests do change over time. The same areas of knowledge that seemed so absurd and pointless seem to shimmer with esoteric and wonderful information. I can make very sincere and determined efforts to learn and be enlightened.

I’ve written a number of books and I can say that the ones I have a particular soft spot for are those where I had to make efforts to learn something new to make the story even more believable. The two Sherlock Holmes, the Missing Years books, Japan and Timbuktu, are examples of where I had a chance to apply that new found zeal to learn, learn and learn.

What I really like to do is find out what might have happened at different parts of the world during the same period. Once, an event could happen in a region and no one might know about it even a thousand miles away till several weeks or months later. In other words, the rate of influence took much longer that our current instant appreciation of events that may happen anywhere in the world. That means, cultures had a better chance to blossom in a somewhat insular way, with the occasional flavour of a new language or religion or cuisine mysteriously showing up. Those days are over now, and technology has started creating homogeneity, though it may still take several decades. But the heterogeneity of the past and the present make for a collage of fascinating material.

Research in literature to make the plot seem more believable is not new, of course. People like fiction with overlays of facts so that they feel a sense of familiarity and grounding, and can relate to the plot a little better.  Research is oftentimes like Brownian motion, which refers to the random movement of particles; you find one nugget and as you read about it, you discover something else in addition that’s equally interesting. It’s easy to wander away into new areas and ‘waste’ time but who can deny the happiness of discovering things you had no idea about.

The Japan book involved considerable digging into European politics, the Trans Siberian Railways, the ships of the time (1891-94), events in Japan, Korea and China, opium, botany, the art and music of various countries and, of course language.  The Timbuktu book was even more complex – the Vatican, the state of politics in Northern Africa, Timbuktu, the Tuaregs and their astonishing culture, the geography and music of the land, the Sankore Mosque, the situation in the lower Nile (Sudan), the ancient culture of the Meroes. Along the way, I learned about the Cathars and integrated that into the plot. I really didn’t feel like ending the book. Both the books would have seemed much lighter without the integration of colour and context, created by research, both internet and library.

Of course, you can’t have a jumble of incoherent facts thrown into a blender. There has to be an overall plot that is uplifted by the addition of relevant information gleaned from research.  And one must have common sense and know what to red-mark and delete.

Another danger is that of coming across as wide but not deep. That is possible. I view it as an acceptable risk simply because it is not possible to know every single detail and you may alienate the reader with too much. This is where the wisdom of an editor comes in.


Research requires patience, risk taking and lateral thinking. All must work in tandem to reveal strains of thought that can weave beautifully in a core plot. I like it and highly recommend it! 

Find out about his book on Amazon
Vasudev Murthy Final - CMYK
ABOUT THE AUTHOR
Vasudev was born in Delhi and has meandered around the world with lengthy stopovers in Tallahassee and Dallas. His books span a variety of interests, from Indian classical music to crime fiction, humor, and business management. A violinist and animal rights activist, Vasudev lives with his family and five snoring dogs in Bangalore, India where he runs a consulting firm.

Guest post: "Horror? Not Scary at All," by Russell James, Author of 'Q Island'


 
You really won’t believe it, but I discovered a nice group of people. In a world where everyone seems mad at everyone else, where manners seem to have gone out the window, and where everyone is out for himself, I fell in with a great bunch of folks.
The horror community.

Now if you aren’t part of it (yet) then it may seem hard to believe. They must all be weirdoes and psychopaths, reading all that twisted stuff and watching all those gory movies, right? Not even close.

When I became a horror author, several years ago, I was baptized into the community at a Horrorfind horror convention, the first con I’d ever attended. I was surrounded by people in pretty sick, scary costumes. I quickly learned that the people inside them were having a ball, sharing their natural love of a good scare with similar folks. Positive, outgoing, excited, friendly. Amazing. The opposite of what most would expect.

Then I met some horror authors. And then I met some more. Surely the minds that spend months dwelling on demonic possession and savage machete-wielding nut jobs must have a screw loose themselves. I mean, it takes one to know one, right? Wrong again. Young to old, experienced to rookie, horror writers are really stellar individuals. Tremendously open to sharing insights about the writing craft, thrilled to just chat about the genre, uniformly gracious to other writers and especially to fans. As a new author learning the ropes, there couldn’t have been a better group to guide me.

And horror people have big hearts. I’ll point to horror and zombie author Armand Rosamillia and his Authors Supporting Our Troops drive that delivers hundreds of books per year to troops around the world. All the books are donated by the authors, and the packing, shipping and postage is paid out of Armand’s wallet. There’s also Scares that Care, an organization that puts on a charity horror convention each July in Williamsburg, VA. This week they cut the donation check that put the total assistance they have provided to needy families at over $100,000, money from the hearts of the horror community.


It seems that the people closest to all that scary horror stuff are the least scary people of all. Who would have known?



About the Author
After a tour flying helicopters with the U.S. Army, Russell James now spins twisted tales best read during daylight. In addition to two horror short story collections, Tales from Beyond and Deeper into Darkness, James is the author of seven paranormal thrillers:  Dark Inspiration, Sacrifice, Black Magic, Dark Vengeance, Dreamwalker and Q Island. His next novel, The Portal, is slated for release in 2016. Visit him at www.russellrjames.com.











The Writing Life with Mystery Author Joseph B. Atkins

Joseph B. Atkins is a native North Carolinian who worked on tobacco farms and in textile mills in his youth, served with the U.S. Army in Vietnam, and studied philosophy in Munich, Germany. A veteran journalist, he worked at several newspapers in the South and as a congressional correspondent in Washington, D.C., before becoming a professor of journalism at the University of Mississippi. Atkins is author of Covering for the Bosses, a book about the Southern labor movement and journalists’ failure to tell its story. His fiction has appeared in Alfred Hitchcock Mystery Magazine and Hardboiled, and his novella, Crossed Roads, was a finalist in the Pirate’s Alley Faulkner Awards in New Orleans.

What’s inside the mind of a crime novel author?

I think of my novel as more than a crime novel, but that’s a genre that fits as much as anything else. You write because you have a story to tell and characters you’d like to introduce to the world. I had written an earlier, unpublished novel that included several characters who are very important in this now-published novel. It’s so wonderful to be able to have other people get to know them like I have. I encountered a reader recently who must have not only read but studied the novel, and he probed me about little details, the whys and the wherefores. I told him, “You’re a writer’s dream.”

What is so great about being an author?

I answered this in part in the last question, but I’ll add that it’s a special moment when you’ve crafted a scene or shaped a character and somehow know it’s right, that you’ve written something that, as someone once said, “needed to have been written.” An author wants to be able to add to the human experience, to leave something worthy using whatever skills or gifts he or she may have. That’s what we all want, whether we write for a living or make chairs.

When do you hate it?

I don’t know that I ever hate it, but making yourself sit down and actually get started is often the toughest. You find a thousand excuses to get back up out of your chair and do this, tidy that, and so on. That’s why I record the time I start and when I finish each day. It’s like punching the clock. Once it’s punched, you’re on the boss’s time!

What is a regular writing day like for you?

When I’m into a writing project, I want to write everyday. Mornings are best. I’m freshest and have the most energy. I’ll write a couple hours, or more on a good day, then come back in the afternoon to do some editing, fixing this or that. I have written many evenings with a glass of bourbon nearby. The next morning, however, I’m usually having to undo the damage I did the night before!

Do you think authors have big egos? Do you?

Gosh, you’ve got to have some ego to withstand the slings and arrows of editors, publishers, and rejection slips! Yes, I happen to think I’m a damned good writer, and, of course, I want others to agree and I’m disappointed if they don’t! I’ve been knocked down on the floor countless times and had to pick myself up, dust myself off, and go at it again. It seems I’ve had to fight and scrap every step of the way, and it takes a certain amount of ego not to give up and to keep at it.

How do you handle negative reviews?

I try to learn from them if there’s something there to learn. I’ve had some excellent reviews, and I’ve had some that cut deep. One reviewer of a past book of mine wrote as if she’d simply wished I’d have written another book. I dismissed that review without a thought or worry. I wrote the book I wanted, had, to write. Let her write the book she wants written!

How do you handle positive reviews?

Who doesn’t love to read nice things about yourself? Of course, don’t let it go to your head. Hemingway once wrote that the writer “grows in public stature as he sheds his loneliness and often his work deteriorates.” Praise can be damning after a while, so enjoy it but don’t marry it and end up being miserable.

What is the usual response when you tell a new acquaintance that you’re an author?

I don’t bring it up or talk about it usually unless someone asks. I don’t go around saying, “I’m a writer.” Let others discover that, and when they do, they’re generally interested to know more. Many, perhaps most, people want to be a writer—what’s the cliché? “We all have a book in us”? (I believe we actually do)—it’s just that most don’t want to do what sportswriter Red Smith once said you have to do, “Sit down in front of your typewriter and open a vein.”

What do you do on those days you don’t feel like writing? Do you force it or take a break?

Sometimes it’s good to step back and refuel. I think a writer needs to write every day, but some days things just aren’t going to click and if you force it you’re not going to accomplish much. Stepping back from your desk can be a good thing. Often you’ll come back with a vengeance that next day (or next week).

Any writing quirks?

I like to be organized, to treat it like it’s a day job, and I’ve got my tasks to accomplish. I keep a writing journal, jotting down faithfully the date, when I start, and when I finish. I also keep a calendar on the wall next to my desk, and I mark in a red-colored square how many hours I wrote on that particular day. When I get to the end of the month, I can look at that calendar and see how diligent I’ve been those last 30 days. Lots of red, I feel good. Not lots of red, I feel bad.

What would you do if people around you didn’t take your writing seriously or see it as
a hobby?

Any writer wants readers, wants appreciation, respect. All of us humans want those last two. Still, you’ve got to be in touch with your inner self, your soul, know yourself, and take yourself seriously. If you do, others sooner or later pick up on that and follow suit.

Some authors seem to have a love-hate relationship to writing. Can you relate? 

Writers love to gripe and grown. I read once that it’s better to have written than to write. If you are a writer, you don’t really have much of a choice. You have to write. Not writing is not an option. It’s your work, your mission, your ministry, your calling or whatever you want to call it. And like with everything else, you’ll love it but maybe not everything about it.

Do you think success as an author must be linked to money?

I’m of the European mindset that art cannot be reduced to the bottom line. Is that un-American? The musician, photographer, and author Tav Falco, an Arkansan now living in Vienna, Austria, told me recently that one thing he loves about Europe is that “money and profits are not the defining criteria” of art, whether that art is music, painting or writing. I’m not eschewing the importance of money. Wish I had more! However, I don’t obsess about it either.

What had writing taught you?

Humility! In all seriousness, you’ve got to work at this thing. It takes a lot of spit and polish. We all need editors—we’re too much in the thick of things often to see the trees for the forest—and we can’t let rejection or just plain bad luck or simple unfairness sidetrack us or keep us down. I know when something’s worthy when I send it off. I just have that feeling. It’s something I’ve learned. In earlier times, I would send off a story, thinking with a little luck, maybe this will slip through. No way. I would never do that now. I don’t send anything off now unless I know I’ve done everything I possibly could to make this story the best I can make it. I can’t take it any further. Let another pair of eyes now see it and tell me how it can be even better.

Leave us with some words of wisdom.

Gosh, I’ve shared so much wisdom already! What can I add? Well, I’ll add this. After the writing’s done, and lo and behold, you got that little gem published, guess what? Your work is not done. Now fight for that baby you’ve given birth to. Fight to make it survive and thrive in this cruel world. I’ve published three books thus far, and I fought like a mother bear for all three of them, wrestling with publishers to do their best by them, with bookstores, newspapers, magazines, and other venues to get the word out and let people know. I’ve reached into my rolodexes and phone lists and made use of contacts, friends, connections, mild acquaintances to get them on board if I can, trying not to be a pest, but also not wanting to miss out on an opportunity to do something good for my baby!

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Title: Casey’s Last Chance
Genre: crime novel
Author: Joseph B. Atkins
Publisher: Sartoris Literary Group
Purchase on Amazon


About the Book:


Casey's Last Chance takes the reader into a treacherous, race-torn South that’s ready to explode with civil rights workers challenging an organized resistance itching for combat. The central character, Casey Eubanks, is a small-time North Carolina hustler on the run after an argument with his girlfriend Orella leaves his cousin dead. A crony steers him to a big operator in Memphis, Max Duren, a shadowy former Nazi with a wide financial network. Duren hires Casey to do a hit on labor organizer Ala Gadomska, who is stirring up trouble at one of Duren’s mills. Things go wrong, and Casey’s on the run again, this time from Duren’s goons as well as the cops. Enter Martin Wolfe, a freelance reporter investigating Duren’s operation. He tries to solicit Casey to help him and FBI agent Hardy Beecher bring Duren down. Casey dumps Wolfe, steals his car, and returns home to Orella. A bloody shootout with a Duren goon, however, convinces Casey to join Wolfe and Beecher. It’s Casey’s last chance. The three take off back across the South to execute a plan to destroy Duren. Everything works until the explosive end, when no one can escape unscathed.