Showing posts with label Paranormal. Show all posts
Showing posts with label Paranormal. Show all posts

Discount of the day: Daughter of the Sun (Cult of the Cat series, Book 1) only $.99!



Title: Daughter of the Sun (Cult of the Cat series, Book 1)
Author: Zoe Kalo
Genre: YA mythological fantasy/paranormal
Word count: 93,000 words / 330 pages
Official Launch: May 1, 2016

Only $.99 until Wednesday May 11th(regular price $4.99)

Get your copy on Kindle today!

Daughter of the Sun, Book 1 - blurb

Sixteen-year-old Trinity was born during a solar eclipse and left at the doorsteps of a convent along with a torn piece of papyrus covered with ancient symbols. Raised by nuns in the English countryside, she leads a quiet life until she’s whisked away to the Island of Cats and a grandmother she never knew.

But before they can get to know each other, her grandmother dies. All that Trinity has left is a mysterious eye-shaped ring. And a thousand grieving cats. As Trinity tries to solve the enigma of the torn papyrus, she discovers a world of bloody sacrifices and evil curses, and a prophecy that points to her and her new feline abilities.

Unwilling to believe that any of the Egyptian gods could still be alive, Trinity turns to eighteen-year-old Seth and is instantly pulled into a vortex of sensations that forces her to confront her true self—and a horrifying destiny.

What readers are saying….

“This was an amazing story!” –Hot Off the Shelves

“This book was so super good! Great writing, great characters, great plot. Very immersive reading experience.” –Awesome Book Assessment

“Wow- this book was a stunning, magnificent adventure! Very well written and full of intricate details, I was immediately drawn in and just absolutely did not want to put this one down... The intrigue just leaves you racing through the pages to find out what will happen next! I absolutely, completely enjoyed this book and can't wait to see what happens in the next one!” –The Recipe Fairy

“The way [Zoe Kalo] writes cats into the book is astounding. Every little quirk, mew and lick is incredibly authentic. I love it when a writer is skilled at writing about the animals in the character’s story, it makes it more warm and fuzzy, no pun intended.” –Samantha Writes

“Daughter of the Sun is an intriguing young adult mythology read full of mystery, magic, action, and history… [it] kept me flipping pages like an addict.” –Fishing for Books

“Oh my God. This is definitely a ‘something.’ This concept and the plot is soooo unique and weird and fascinating that I did not want to put this down. I literally breezed through this one…. This book was an overdose of kitty love.” –Grape Fruit Books

“If you are looking for a Young Adult Fantasy book that is different from the norm, then look no further. Daughter of the Sun is full of Egyptian mythology, with layer upon layer of mystery just waiting to be uncovered.” –Archaeolibrarian

About the Author
A certified bookworm, Zoe Kalo has always been obsessed with books and reading. Reading led to writing—compulsively. No surprise that at 16, she wrote her first novel, which her classmates read and passed around secretly. The pleasure of writing and sharing her fantasy worlds has stayed with her, so now she wants to pass her stories to you with no secrecy—but with lots of mystery…
A daughter of adventurous expats, she’s had the good fortune of living on 3 continents, learning 4 languages, and experiencing a multicultural life. Currently, she’s working on a Master’s degree in Comparative Literature, which she balances between writing, taking care of her clowder of cats, and searching for the perfect bottle of pinot noir.
Connect with Zoe Kalo on the web: www.ZoeKalo.com /Facebook / Twitter

The Inspiration Behind ‘Dying to Tell’ by Tj O’Connor

Dying is as perilous as secrets and lies. Depending, of course, on who is keeping the secrets and who is telling the lies. Trust me, I’m in the secrets and lies business—” and so begins Dying to Tell, the third book in Oliver “Tuck” Tucker’s case files. Tuck’s a dead detective, er, Gumshoe Ghost if you will. As a former government agent and security consultant specializing in anti-terrorism, I’ve been in the secrets and lies business all my life. And as an author, my life’s adventures are the basis for my novel’s plots and characters.
To understand Dying to Tell’s backstory, I should explain the series’ genesis. First, Dying to Know, the first novel, began with Tuck’s murder. He returns to solve his own case. The “dead detective” theme is based on my 20-year recurring nightmare after the first Gulf War—I was killed by terrorists and returned to hunt them. After telling my adult daughter about it, she urged me to write a similar murder mystery—voila, Oliver Tucker. Each of Tuck’s cases intertwine a traditional murder and a historical subplot. Together, they surround Tuck’s long-lost family secrets—which involve gangsters, spies, G-men, and rogue adventurers—and yes, these ancestors are all dead and back amongst the living, too!
In Dying to Tell, Tuck is chasing the murderer of a reclusive banker with ties to World War II Cairo, Egypt. The historic subplot is based on a real World War II Nazi spy caper, Operation Salaam—the infiltration of spies into Cairo. One of the characters, Ollie Tucker—Tuck’s namesake—is an OSS operative from 1942 and is based on my real-life mentor who recently passed away at age 91. It was his personal WWII experiences in the OSS that fueled this theme.
Throughout Dying To Tell, Tuck faces a new crisis—his faltering marriage. I asked myself, “What is life, er death, like for Tuck and Angel, his widow?” How will their marriage survive when she is young, brilliant, and beautiful, and he is, well, dead and not a physical person? The outcome is simple—he and Angel struggle to balance love, life, and death together. It’s difficult for them, and in the end, it’s a killer by itself.
For Tuck, being back among the living and not one of them is harder than solving murders.
Title:  DYING TO TELL
Genre:  Mystery
Author:  Tj O’Connor
Website:  www.tjoconnor.com
Publisher:  Midnight Ink
Purchase on Amazon
About the Book:
In Dying to Tell, the latest mystery by award-winning novelist Tj O’Connor, Oliver “Tuck” Tucker—dead detective extraordinaire—is back for the case of a lifetime, or, rather, the afterlifetime. 
A former police detective who now solves mysteries from beyond, Tuck doesn’t appreciate just how perilous the past can be till his wife, Angel, is nearly killed and reclusive banker William Mendelson is found dead in a hidden vault.  Tuck knows there’s more to Mendelson’s murder than decades-old skullduggery. As murderers, thieves, and spies descend on small-town Winchester, Tuck joins up with Angel, old detective partners, and a long-dead grandfather still on an army mission from 1942. With the case unfolding around him, Tuck must confront haunting family secrets and the growing distance between his death and Angel’s life.  The outcome could be a killer of its own, but Tuck is set on solving this case. Dead set.  After all, some things never die…
About the Author:
Recipient of the Gold Medal in Independent Publisher’s IPPY Awards (Mystery Category, 2015, Dying to Know) Tj O’Connor is an international security consultant specializing in anti-terrorism. As a consultant and former government agent, O’Connor has lived and worked in such places as Greece,Turkey, Italy, Germany, the United Kingdom, Spain, and throughout the Americas. A native of New York, O’Connor lives in Virginia.
Connect on the web:

Guest post: "How to Do Everything Wrong, and Somehow Still Get Published," by Terry Jackman


Apparently I won a Cadbury’s essay competition in primary school. I don’t remember but I do recall an exciting day the teacher shared out chocolate. With hindsight I have to wonder if that was my prize. Maybe that was my first intimation that one shouldn’t expect to get fat, or rich, from writing. J

Secondary school produced my first ‘published’ work, in an end of year magazine. I was about sixteen. Unfortunately it didn’t actually have my name on it; it was a piece I’d dashed off for a friend when she’d begged for help. If you haven’t guessed, the entries weren’t voluntary. She did offer to own up, but I told her I wasn’t bothered. The truth was I didn’t want my name in print; by that time I was abnormally shy, something I still struggle with despite numerous public appearances.

I got a job as a teacher. I wrote exam papers. Once I wrote a playscript for a music teacher who fancied being another Andrew Lloyd Weber. I recall a scene where the young hero climbed the church tower to talk to the weathercock, a chance to write choral music without words to represent  the wind as the boy climbed higher. But the musician vanished to another school with it. I have no idea if he ever completed the libretto. It would be nice to know, but it was fun anyway.

Maybe by now you’re seeing a pattern? I liked writing, the challenge, the excitement, a lot more than I did people knowing about it? In fact, I kind of preferred them not knowing. I went through my teens frankly too self-conscious to live; the kind of ‘shyness’ that means taking a deep breath before walking into a room with actual people in it. I did manage to partly handle the problem during my college years. That’s when I studied Drama- and did rather well at it. Because I discovered I could perform pretty well in public - if I let ‘Terry’ replace‘Teresa’. It wasn’t the real me, it was this much braver alternate persona. (No wonder I like fantasy.)

But neither Terry nor Teresa was brave enough for a long time, they let ‘life’ get in the way. Till one day I thought, ‘All right. Why not. But how? How do I know I can write anything worth reading?’ And that’s how I enrolled in a writing course. Hey, it was long distance, and it promised if I completed the course and hadn’t earned back my fees they would refund them! Couldn’t lose.
Lesson one: plan three articles for three magazines. Bother, I’d wanted fiction. Never mind, it would still be good for me. I planned them. Lesson two: write them. Done. Lesson three: send them off. 

Huh?

Long story short, they all sold and one turned into a series. I’d earned my fees in three lessons. And editors asked for more. A great compliment, how could I refuse. For ten years my spare time – I often worked six day weeks in my ‘day job’ - had a waiting list of articles. I’d become a ‘writer’. I was fairly sure I was a good one, at least in fifteen hundred word bites. I finally had my name on my work. I got paid. The problem I wasn’t trying the fiction I’d intended.

And of course I had no idea how to sell my writing. I’d never had to.

So picture the shock when I finally switched tracks into fiction. I was supposed to submit stuff? You’ve guessed it; the old me came rushing back; the me who had trouble facing people. I sold a couple short stories, but I didn’t send out anything once it failed a couple of times; obviously that meant it wasn’t good enough.

In fact I did exactly the same thing with Ashamet, Desert-Born. Getting the world the story is set in just right took a while but eventually I took a breath and sent it out; twice. First time: a senior editor held it for a year, then said no. The second: they said it was “too difficult to market”. I knew it didn’t fit an established niche, but stupidly I’d thought that might be a good thing. Obviously not. I was disappointed, but prepared to shelve it when, amazingly, Dragonwell Publishing heard about it from another writer and asked me if I’d “like to send them something”! When I recovered from the shock Ashamet was sold, in ten short days.


Truth really can be stranger than fiction. But trust me, it’s not the way you should intend to get published. Even if it makes such a great story in itself.

ABOUT THE BOOK
TitleAshamet, Desert-Born
Genre: Fantasy/adventure/romance/paranormal
Author: Terry Jackman
Find out more on Amazon
A desert world. A warrior nation that worships its emperor as a god. But for Ashamet, its prince, a future filled with danger…
Ashamet is confident his swordsmanship, and his arranged marriage, will be enough to maintain the empire’s peace. But when a divine symbol magically appears on his arm, closely followed by an attempt on his life, he no longer knows who to trust. Worse, the strange attraction he feels toward a foreign slave could be another trap. As events unravel, too fast,Ashamet must find out if this innocent young male is a tool for his enemies–or the magic key to his survival.
“Ashamet, Desert-Born” is a debut adventure fantasy with an exotic Arabian-style setting and elements of same-sex romance.
ABOUT THE AUTHOR
author pic 1

Terry Jackman was christened Teresa, and is married with kids. She’s not pretending to be a guy just for the book. It’s just that nobody, but nobody, calls her anything but Terry, so Terry is actually the most honest name to put on the cover.
To go with her two names she inhabits two worlds. In one she’s a mild-mannered lady who tutors children and lives in a pretty English village, called Lymm. [It’s not far from the Manchester United football ground. You can take a peek at it onwww.lymmvillage.co.uk/gallery If you look carefully at the picture of the old stone cross in the village centre you might see the ancient stocks below, where villagers would have thrown rotten eggs etc at local miscreants – but we don’t do that now, honest.]
In the other, she’s written articles and study guides, is secretly on the committee of the British Science Fiction Association, coordinates all their online writers’ groups, writes a regular page for Focus magazine and reads submissions for Albedo One magazine in Ireland. Oh, and has been known to do convention panels and some freelance editing.
When Ashamet goes public the two worlds will finally collide. She suspects there’ll be some raised eyebrows so she’s stocking up on fortifying tea and biscuits – and lots of chocolate!

Guest post by Joel Fox, author of 'The Mark on Eve'

How important blurbs are on the cover of books is not a settled issue amongst writers, but I believe they could be very helpful especially for a first time novelist. At least, I figured a blurb couldn’t hurt.

Or could it?

Take my extraordinary case for my first mystery novel, Lincoln’s Hand.

I did not know any nationally known mystery novelist who’s name on my cover would give the high sign to legions of his or her fans that my novel was worth a read. However, I did know someone famous who had a reputation for picking good stories. He might, despite his extremely busy schedule, take the time to read the book and give me a cover blurb.

I made contact with his office and asked if this world-renowned person might read my book and offer an encouraging blurb. I was told that it was unlikely because requests like mine came to him all the time but … send the book and we’ll see.

A couple of months later, I got an email that said I would get the blurb. Short and sweet it was, an affirmation from someone who had been associated with story telling informing the world that I had written a good story.

Here’s the blurb that appeared on the cover of my first mystery novel:

Lincoln’s Hand is a great story, a page-turner from start to finish” –
Arnold Schwarzenegger

Being involved in politics, I knew Schwarzenegger in my role as a policy advisor to him both during and after the recall election that made him governor of California.

I was thrilled to get his endorsement. I felt the blurb would tell readers that appreciated the stories he made on film to take a look at Lincoln’s Hand. I also knew that a blurb from a film action star was not the standard fare on the cover of mystery novels, but I thought it was worth the risk.

Then, however, the story of Schwarzenegger’s personal transgression surfaced. His wife left him and the whole ugly mess was played out in the tabloids and in the mainstream media.

But his blurb had been printed on the cover of copies of my book. Does the blurb now hurt, help, or have little consequence?


The fact is the blurb cannot be erased so I pushed forward, adding a new dimension to the discussion of my novel, hoping not to take the focus off of what is between the book’s covers rather than what is on the cover.

//////////////////////////

 Title: The Mark on Eve
Genre: Suspense
Author: Joel Fox
Publisher: Bronze Circle Books
Purchase on Amazon  

//////////////////////////////////


Joel Fox has spent over 30 years in California politics, serving on numerous state commissions, working on many ballot issue campaigns, and advising candidates. An adjunct professor at the School of Public Policy, Pepperdine University, Fox has authored hundreds of opinion pieces for numerous publications including the Wall Street Journal,Washington Post, USA Todayand Los Angeles Times. Joel Fox is also the author of the Zane Rigby mystery series—Lincoln’s Hand and FDR’s Treasure— in which an FBI Special Agent must solve a puzzle from the past of an American president to solve modern day murders.  A native of the Boston area, Joel Fox lives in Los Angeles.

A Hidden Element, by Donna Galanti


?????????????????????????????????????????????Title: A Hidden Element
Genre: Paranormal Suspense
Author: Donna Galanti
Publisher: Imajin Books
Purchase on Amazon
In A Hidden Element evil lurks within…
When Caleb Madroc is used against his will as part of his father’s plan to breed a secret community and infiltrate society with their unique powers, he vows to save his oppressed people and the two children kept from him. Seven years later, Laura and Ben Fieldstone’s son is abducted, and they are forced to trust a madman’s son who puts his life on the line to save them all. The enemy’s desire to own them—or destroy them—leads to a survival showdown. Laura and Ben must risk everything to defeat a new nemesis that wants to rule the world with their son, and Caleb may be their only hope—if he survives. But must he sacrifice what he most desires to do so?
CHAPTER 1: The Beginning
Silent dark hung under a star-filled sky.
The dark deepened as they headed into the forest. Ancient conifers towered over them, blocking out the moon. Rain fell cold and lifeless. The nearest town of Benevolence, Oregon, was five miles northwest.
Caleb Madroc’s father stood across from him, waiting for his people to gather their belongings. Their pale faces glowed like orbs within gray hooded robes as they waited for his father’s instruction.
“We head toward town,” his father ordered. Caleb opened his mouth, but there were no words for his feelings of anger and loss at suddenly leaving the only home he’d ever known. It raged inside him, a tumult of emotion he must quell for now. At least his own black hair, like his face, was a constant reminder of his mother to his father. This made him glad.
Caleb shut his mouth and nodded, stepping in behind his father. Rain fell cold and lifeless. He fell behind as he helped the womenfolk with their bags. One young female sent him a furtive, desperate look as she touched his hand in passing.
I’m so scared. What will happen to us?
He smiled at her. Keep your thoughts to yourself. It’s safer this way. All will work out once we settle. She bit her lip, her eyes full of tears, and nodded looking back down at her feet.
“Father, how much further? Some of the younger females are struggling,” Caleb said.
His father’s eyes stung him through the mist rising up from the forest floor. They were eyes so different from his, and from his mother’s. Caleb had often seen sadness and pity for his father in his mother’s eyes. The day he had found her dead in the well her eyes held only nothingness.
“Can’t we stop and rest, Adrian?” A few in the group grumbled. They looked wet and tired, a sea of gray flowing before him. His father glowered at their weakness. As Caleb scanned the sodden crowd a female smiled at his father, holding the promise of submission. Perfect for his father, who wanted to breed another son to take his place. A worthy son.
“We do not stop.” His father’s voice rose over the line of people before him, and he smiled back at the female and a strange sense of relief washed over Caleb. If his father did create a new prodigal son to groom it might remove his first born from his watchful eye.
With that thought, anguish over his mother’s absence hit him fresh again. At eighteen and bigger than his father, he still needed his mother. She had been his kindred spirit, like Uncle Brahm. But now he was alone in this strange place. No longer did he have someone to be his true self with. He must step carefully.
His father continued to scan his flock. They stood still and silent, conveying their subservience. He nodded, apparently satisfied with their response. “You all took the oath to come here. Hard work lies before us in breeding our new community. Understood?”
They nodded in a collective wave.
Just like you bred with Aunt Manta while your wife lay dead? Caleb spewed out in his head without thinking.
His father moved closer, until his flaring nostrils touched his. Caleb stepped back, but his father gripped his arm. Dozens of eyes watched their battle.
Do not ever mention my brother’s wife’s name again, Son.
His father’s fingers pinched him hard and his hot breath pulsed across his face, but Caleb couldn’t stop. Mother’s dead because of you. And what about Aunt Manta? Did you kill her, too?
I didn’t kill anyone. And your mother should have been more careful.
You let her travel alone. She fell and died because she was alone.
It was your well, Caleb, she fell into. Your hideaway you carelessly covered up. Your fault.
His father’s accusations stabbed him with painful truth. He sucked in his breath. My fault. Yes. My fault.
He looked around the watchful crowd as his head reeled with the agony of what he had done. His people stared back at him, their thoughts hid behind blank faces. Why did they come? Didn’t they have dreams and wants and needs of their own, too? Or were they all obedient drones of his father?
His father thrust his arm away and turned around, plunging faster through the woods. Caleb hesitated then followed behind, trying to keep up. He envisioned himself standing still until everyone glided around him, leaving him to remain alone under a watchful moon.
Branches snagged his robe shooting him back to reality. His father’s people followed in silence. If they didn’t obey there would be consequences. As Caleb knew. He had no special privilege here as Adrian’s son.
At last his father stepped out onto a paved road. It stretched far into the distance, where welcoming lights beckoned them across the final mile. They reached the main intersection of town. A car flashed by. A radio blared. Faces stared out at them. He stared back. They were so different from himself and yet…not.
He broke his gaze realizing how out of place this group looked late at night. The people here wore jeans and shirts, the shapes of their bodies outlined under tight clothes. The female’s curves called to him, unlike his people who clothed themselves in shapeless robes to discourage free sexual thoughts. They were now to breed only with those chosen for them.
His father led them single file down the sidewalk. A handful of people sat behind windows drinking. They pointed at them as they walked by. “Gillian’s Bar” flashed in neon green above the doorway in the late evening hours. A man and woman, heading into the bar, stepped back from the sidewalk to watch them pass. Freaks, he heard the man say. And his father erased the memory of the encounter from these strangers’ minds in the seconds it took to pass them.
“Father,” Caleb whispered in his ear. “Where are we going?”
A large building rose at the far end of a parking lot. “Ray’s Lots” blinked over and over.
“Here is where we go.”
A woman pushed a cart filled with bags to her car, the only car left in the lot. She stopped and stared at them. Her hair framed her face in tight curls. A blue and white striped dress strained to contain her breasts and belly.
“Good evening, brothers,” she said with a hesitant smile.
His father motioned for them to stop. He smiled at her. She smiled back.
“Good evening, madam,” his father drawled.
“God bless you.” She grabbed his father’s hand. Caleb swallowed a laugh at the way his father looked at her with such a serious, doting face.
“And God bless you, my child.”
“What church are you with?” The woman fingered a cross at her neck. “Are you having an event in town?”
His father had said a church was the perfect cover. One of the many cultural ways learned before infiltration. All part of his father’s master plan.
“It’s the Church of Elyon,” his father said.
The woman took her hand away and frowned. “Never heard of it. You’re not one those crazy cults are you?”
Caleb stepped to his father’s side. Let me work her mind, Father. “What’s your name, Madam?”
“Sally.”
“I’m Caleb Madroc.” He shook her hand hoping his father didn’t have some depraved mission in mind. Caleb wanted to get food for their hungry group and shelter and have as little interaction with these town people as possible. “We’re simple folks. Our bus broke down outside of town. We seek food and a place to stay nearby. Can you help us?”
“What a nice young man you are. Of course I can help you.” She abandoned her cart and pulled Caleb toward the store. “My cousin runs this store and can stock you up with food. And the Mercenary Motel is down the street.”
He didn’t understand her eagerness as she dragged him along then it was made clear by his father’s mirthful laugh. His father had probed her mind and now controlled it—she would do whatever he commanded.
Caleb followed her into the store. Their people streamed in behind. Sally dragged him to a counter where a short red-faced man scowled at them. “Ray, these folks are here in town from a wonderful church. Their bus broke down and they need food.”
Within seconds Ray’s frown changed to a wide grin as Caleb’s father continued his mind games. “Come in, come in. Time to close up anyhow.” He flicked the sign on the front door and shut off the lights outside.
“Thank you,” his father said. “I need food here for my flock before we find a place to stay.”
“Help yourself to anything you want.” Ray ran his hands over shelves. “Pretzels, baked beans, cereal, Ding Dongs. We even sell the word of the Lord.” Sally and Ray beamed at them.
His father directed everyone to gather food and drinks. Sally and Ray stood by the counter, their minds blank except for what his father put into them. He dared not combat his father’s powers. Not here. Not now. But someday.
“Ray, I need all your money now,” his father said.
Ray clapped his hands together. “Of course.” He pulled money from a nearby metal box.
When his father’s bag burst full of items he handed it to a community member and cocked his head at Ray and Sally. “Time to go now, my new friends.” He motioned his people out the door. Ray and Sally stood with stupid smiles on their faces as the group filed out into the parking lot. All, except his father.
“Come on, Father,” Caleb pleaded, the dark knot in his stomach hardened. “Our job here is done.”
“Not quite.” His father moved toward the smiling cousins, a book in his hand. The Holy Bible. He thumbed through it to a passage and looked up smiling. “As for God, his way is perfect, is it not?”
“The word of God is true,” Sally sang out, clutching Ray’s hand. Her cousin nodded.
“Ray, isn’t Sally lovely? Look at her.” His father pointed at the heavy set woman.
Ray turned to Sally. His pants bulged and Sally’s eyes widened. She tugged on her dress top.
“Have your way with her Ray, you know you want to.”
“Father,” Caleb whispered, clutching at him but his father stayed his hand.
Ray licked his lips and nodded.
“Sally, unzip your fine dress and show Ray what you’ve got.”
Sally stepped out of her dress in a motion more fluid than one would have thought possible given her size. Her belly oozed over her thighs and her bra cut into her mountainous breasts. Ray panted, tapping his hands against his skinny legs.
Caleb moved toward the door.
“Stay, Son, I want you to watch this.”
“I won’t.”
“You will or you know what will happen.”
Caleb stopped and sighed, looking down at the floor. Eyes watched from the parking lot.
“Look.”
Caleb focused on the dirt in the floor cracks. His muscles twitched with anger. His father thrived on his hate, wanted him to hate—wanted his son to be a Destroyer like him. They had hidden their true selves for so long and now were free here to unleash it. Not Caleb. He refused to give in to the dark inside. He tried to release the hate for his father, but it now filled his every pore. He made a vow right then and there, he’d never allow himself to be controlled. No matter the consequences.
He finally looked up. His father nodded, pleased, and turned back to his playthings. Ray massaged his crotch. Sally moaned, squeezing her mammoth breasts, and stepped out of her underwear.
“Take her, Ray. Bend her right over the counter. Dive into all her lushness.”
“Lush, yes.” Ray moved toward Sally, fumbling to unbuckle his pants. She squealed with glee and bent over the counter to receive him, her white bottom rising like a pitted sea of blubber. Ray mounted her, forged a path through her two white mountains, and slapped up against her in his glory.
“Lordy, Lordy,” Sally sang out as she bounced up and down.
“Now that’s wholesome entertainment.” His father jabbed him. Caleb jerked away. “They’re both enjoying it.”
Caleb clenched his fists and shoved them in his pockets. “Can we go now?”
“Yes, Son, only one more thing to do.”
His father pulled out something that looked like a handle. He flicked it open to reveal a small knife he must have picked up in the hardware section. He placed it next to Ray on the counter. Sweat flicked off the red-faced man’s forehead as he plunged into buttery flesh.
“Ray, enjoying yourself?”
Ray grunted and grabbed on to Sally’s hips, sinking into her expanse. She moaned again in delight as her buttocks shuddered.
“Good. When you’re done fucking, kill the bitch.”
His father strode out the door, pulling Caleb along with him.
“Father, no.” Caleb struggled against him as his father shoved him hard through the door. Caleb spiraled his thoughts into Ray’s brain. Stop, Ray!She’s your cousin, your family!
Ray stopped his thrusting as if listening to Caleb, but his father’s punch to his face ended his brain probe. Caleb staggered back, blood gushing from his nose. Ray straightened his head and rammed into Sally with a loud groan. Caleb drew his hand back but his father’s fingers crushed his forearm. He fell to his knees. Blood spattered down his gray robe. The flock widened their circle, silent and watching. His father led as both law maker and enforcer.
“These lowly forms of life must be controlled,” his father said. “We’ve studied their ways. Now, this first act is how we begin their demise and our rule. We will grow in number with our selected breeding and thrive as these useless beings die out. Watch this historic moment, Son, for anyone who turns away will be marked weak…and unworthy.”
All eyes turned to the inside of the store as the desperate carnal scene played out to the end.
“I hate you,” Caleb whispered, watching the forced lovers before him.
His father smiled at him in satisfaction.
Ray arched his back with a moan and finished his business. Sally squealed and pressed up against him. And when Ray raised his knife and plunged into Sally in new ways, she squealed again. And again. Her blood ran onto scuffed tiles and still she squealed. And then she stopped.
Tears filled Caleb’s eyes and he closed them against the evil scene.
His father laughed. “Don’t you see, Son?” He shook The Holy Bible at him. “I am their Way, their Truth, their Life—and Death.”
Caleb did not answer. He remained inside his dark prison and swore someday he would end his father’s rule.

Profile: Donna Galanti, Author of ‘A Human Element’

Donna Galanti writes murder and mystery as well as middle grade adventure fiction. She is an International Thriller Writers Debut Author of the paranormal suspense novel A Human Element, the short story collection The Dark Inside, and the forthcoming Joshua and The Lightning Road.
Galanti, Donna 2An avid reader as a child, Galanti grew up in a nurturing environment, immersed in books such as The Hobbit,Little House in the Big Woods,The Island of the Blue DolphinsMy Side of The MountainCall of the Wild andWhite Fang. “My favorite author was Roald Dahl and my favorite book of his was Danny the Champion of the World,” says Galanti, whose dark imagination ran wild from the start.
From her early years in England to her later work in Hawaii as a U.S. Navy photographer, Galanti always dreamed of becoming an author. She wrote her first murder mystery screenplay at the tender age of seven. She had a career in writing for marketing and communications and ran her own resume writing service, but it wasn’t until her mother died five years ago that she began writing novels out of her grief. Eventually, that grief turned to peace, when she fully realized what it was she truly loved to do: becoming a storyteller. In addition to being a full-time author, Galanti also works part time as a freelance copywriter for an advertising agency.
“I write from the dark side with a glimpse of hope. I am drawn to writing the hero’s journey – more so the tormented hero, and tormented villain. I enjoy creating empathy for both by blurring the lines between good and evil,” states the author, whose first two books in The Element TrilogyA Human Element and A Hidden Element (Imajin Books, August 2014) are both full of murder and mystery with a dash of steam, and both have their own tormented hero and villain. “I slay my own demons through my writing – and I highly recommend it!” she says.
A Human Element, just released by Imajin Books, is the thrilling, unrelenting page-turner story of Laura Armstrong. Her friends and family members are being murdered and, despite her unique healing powers, she can do nothing to stop it. Determined to find the killer, she follows her visions to the site of a crashed meteorite in her hometown, where she eventually unravels a terrifying secret that binds her to the killer.
The book has already garnered excellent praise from New York Times bestselling author Jonathan Maberry and international bestselling author M.J. Rose.
Pageflex Persona [document: PRS0000040_00067]Galanti lives in an old farmhouse – sadly, with no ghosts – with many fireplaces where she often curls up to create her page-turners. Other times she works in her office overlooking the woods. Throughout the year she meets weekly with a women’s writing group at a café where they write together and share advice and their success stories.
“When I am creating a new book I love to sit outdoors overlooking the woods with a pen and notebook and handwrite my ideas. My thoughts are slowed down this way as my brain connects to pen in hand, and it opens my mind up to brainstorm,” says the author, describing her creative process. “There is nothing more freeing creatively to journal story ideas and throw all sorts of ‘what if?’ questions out there to find the kernel of a good story you want to pursue. Then I create character worksheets and type up a ten page synopsis of the book. I do all this before I write that first word of the story. And I always create a title first! It’s what drives my inspiration for the story.”
Galanti began writing A Human Element seventeen years ago from a vision she had while driving to work one day. She wrote two chapters and shelved them for over a decade. When she finally decided to continue the story, she wrote Monday through Friday from 4:30am to 6:30am. After seven months she typed THE END.
All writers have their stronger and weaker points, and for this author, revision is her favorite process. That’s where she can make her story shine. “Knowing how important this process is has been one of my strong points,” she says. “There are many layers to a story to be found after you write that first draft, and that’s what I love to do: peel back the layers.” One area she struggled in for a long time was to slow down her writing. She can be a very fast writer, creating pages and pages of words that often would need to be trimmed down. She has since then learned to slow down her writing and craft her words with care as she writes them, so she doesn’t have to spend so much time on revision.
In an era when small presses, the good, the bad and the ugly, abound, Galanti’s experience has been nothing but positive. “My experience with Imajin Books has been amazing!” she says of her Canadian-based publisher. “Imajin Books is dedicated to working with me to help my books succeed. The owner, Cheryl Kaye Tardif, is a bestselling author in her own right.” Imajin Books was very responsive and provided in-depth editorial guidance as well as marketing plans, not to mention fantastic book cover designs. The publishing industry is notorious for being slow-moving, but in the case of The Element Trilogy, Imajin Books made the process quick and efficient.
As with many authors, Galanti finds starting a new book most challenging. The first blank page can be a scary thing, until the story takes over, propelling your main character into his new unbalanced world toward the ultimate end. However, being an author can be extremely rewarding. “When it comes to readers, there is nothing more thrilling than reading wonderful reviews about your book that you spent months, or years, creating and shaping,” she says. “It’s from that private place in your heart, where you love the most – and hurt the most – that you pour out pages to show the world. And it’s all worthwhile when you discover that others have been touched by your story, just as you were touched while you were writing it. Second, it’s rewarding to pay it forward to up-and-coming authors. There is a wonderful feeling that comes from speaking to writers about your publishing journey and sharing advice and techniques on how to find success as an author, and hope that they do.”
Galanti is currently working on the idea for the third and final book in The Element Trilogy called, A Healing Element, and gearing up to release book 2, A Hidden Element, on August 28th. A native of upstate New York, the author now lives in Southeastern Pennsylvania with her family in an old farmhouse. It has lots of writing nooks, fireplaces, and stink bugs, but she’s still wishing for a castle—preferably with ghosts.
Connect with the author on Facebook Twitter and her Blog.
This profile was originally published in Blogcritics